New Adult Fiction

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Book cover of "25 Alive" by James Patterson and Maxine Paetro. The subtitle reads "A Women's Murder Club Thriller." The background features a moody, dark scene of a woman walking alone down an empty, dimly lit road. Large, metallic gold numbers "25" dominate the center, with the word "ALIVE" in bold white letters at the bottom. The overall tone is suspenseful and dramatic.
25 Alive by James Patterson
Book cover of "Great Big Beautiful Life" by Emily Henry. The background features a vibrant, geometric mosaic of red, pink, and orange tones. The title is written in large, bold white letters spanning most of the cover. A sticker indicates it is a Reese's Book Club pick. Illustrated characters—a woman reading a book and a man sitting—appear at opposite corners, adding a playful and warm tone to the design.
Great Big Beautiful Life by Emily Henry
Book cover of "Backwater Justice" by Fern Michaels. The background features a dramatic, glowing sunset over a rural road, with hues of orange, pink, and purple. A silhouetted figure of a woman is running toward the horizon. The title appears in large, gradient-colored block letters from white to orange, and the author’s name is displayed prominently at the top in bold purple text.
Backwater Justice by Fern Michaels
Book cover of "Saturn Run" by John Sandford and Ctein. The background features a sleek, futuristic design with prismatic light streaks and a space shuttle soaring upward. The title and authors' names are in bold, modern typography with a metallic, gradient effect, giving a high-tech, sci-fi feel. A small text at the top notes that John Sandford is a #1 New York Times bestselling author.
Saturn Run by John Sandford
Book cover of "The Staircase in the Woods" by Chuck Wendig. The image shows a dense, shadowy forest bathed in eerie golden light. At the center, an old spiral staircase stands mysteriously among the trees, leading to nowhere. The title is spread across the middle in bold white text, and the author's name appears at the bottom. A blurb at the top references Wendig’s previous work, "The Book of Accidents." The overall mood is dark and atmospheric.
The Staircase in the Woods by Chuck Wendig
Overkill by J.A. Jance
Book cover for Lethal Prey by John Sandford. The background features a gradient of blue and purple hues with large, dark thorny vines or branches crossing diagonally. The title “Lethal Prey” is in bold, capital letters with a gradient of yellow to red. Above the title, the author’s name, “John Sandford,” appears in large green and yellow gradient text. Beneath it, a subtitle reads “A Lucas Davenport and Virgil Flowers Novel” in smaller yellow text. A curled page corner effect appears at the bottom right.
Lethal Prey by John Sandford
A Court of Wings and Ruin
Book cover of "The Clearwater House" by Tammy Marshall. The cover features a black-and-white photograph of an old two-story house with a covered porch. The title is displayed prominently in a black box with red and white borders at the top, and the author's name appears in gray text across the middle of the house image.
The Clearwater House by Tammy Marshall
Book cover of "My Friends" by Fredrik Backman. The background shows three people swimming underwater, reaching toward each other, with sunlight filtering through the water. The title is written in large, bold, white and yellow hand-lettered text, and the author’s name appears prominently in white. A note above the title mentions Backman as the New York Times bestselling author of "A Man Called Ove."
My Friends by Fredrik Backman
Book cover for Bonded in Death by J.D. Robb. The background features a dark, stormy sky with swirling purple smoke or energy. The title “Bonded in Death” is displayed in large, bold white letters in the center. The author’s name, “J.D. Robb,” is printed in bright magenta at the top. A futuristic cityscape and a sleek road or tunnel are visible at the bottom, hinting at a sci-fi or suspense theme. A pink sticker on the bottom right corner reads “An Eve Dallas Thriller.”
Bonded in Death by J.D. Robb
Book cover for A Court of Mist and Fury by Sarah J. Maas. The background is a solid gray. A detailed, black illustration of a large bird of prey dominates the left side of the cover. The title is written in large turquoise letters, arranged vertically over the bird’s body: “A Court of Mist and Fury.” At the bottom, the author’s name, “Sarah J. Maas,” appears in white uppercase letters, with a note beneath that reads “#1 New York Times Bestselling Author.”
A Court of Mist and Fury by Sarah J. Maas
Book cover for Throne of Glass by Sarah J. Maas. The background features a glowing blue stairway leading to a large, dark arched doorway with red and black hues. A small, silhouetted figure holding swords stands at the center of the doorway. The title “Throne of Glass” is written in bold, bright yellow letters across the middle. At the top, the author’s name, “Sarah J. Maas,” is displayed in white uppercase letters with the tagline “#1 New York Times Bestselling Author” above it.
Throne of Glass by Sarah J. Maas
Nobody's Fool by Harlan Coben
The Keeper by Charles Martin
Book cover of 'The Rise and Fall of Miss Fannie's Biscuits' by Wanda E. Brunstetter and Martha Bolton. The cover features a humorous scene where a woman in a blue dress, wearing a contestant ribbon, looks shocked while holding a biscuit. In the foreground, a hand holds a magnifying glass examining the biscuit closely. The background has a striped wall, evoking a county fair or baking competition setting. The title is displayed in bold red and brown lettering, with the authors' names in white and gold at the bottom.
The Rise and Fall of Miss Fannie's Biscuits by Wanda Brunstetter
Book cover of 'The Gwendy Trilogy' by Stephen King and Richard Chizmar. The background transitions from deep blue at the top, speckled with stars, to a warm orange glow at the bottom. The title is in bold red letters with a black hat tilted above it. The authors' names appear in large white text at the top. Below the title, the three books in the trilogy—'Gwendy's Button Box,' 'Gwendy's Magic Feather,' and 'Gwendy's Final Task'—are listed in smaller white text.
The Gwendy Trilogy by Stephen King and Richard Chizmar
Book cover of 'Star Wars: Reign of the Empire – The Mask of Fear' by Alexander Freed. The cover has a dark, ominous design featuring a central figure standing in front of a glowing blue light, with a futuristic, metallic background. The title is displayed in bold, white capital letters, with 'Star Wars' at the top and the subtitle 'The Mask of Fear' in red below. The author's name appears at the bottom.
Star Wars Reign of the Empire by Alexander Freed
Book cover of 'Battle Mountain' by C.J. Box. The cover features a dramatic scene with a large hawk or eagle in mid-flight, wings spread wide, as it soars above a rugged landscape of grassy fields and distant mountains under a cloudy sky. The author's name appears in bold yellow letters at the top, while the title is displayed in white and gold capital letters below.
Battle Mountain by C. J. Box
Book cover of 'A Dragon of Black Glass' by James Rollins. The cover features a surreal, futuristic landscape with jagged mountains and a glowing blue atmosphere. A large, reflective sphere dominates the foreground, mirroring the scenery. The title is displayed in bold, white capital letters within the sphere, while the author's name appears at the top.
A Dragon of Black Glass by James Rollins
Book cover of 'The Texas Murders' by James Patterson and Andrew Bourelle. The cover features a dark-colored pickup truck parked on a vast, desolate landscape with dry grass. A person wearing a cowboy hat leans against the vehicle, gazing into the distance. The sky is a gradient of light blue and white, creating a stark contrast with the rugged setting. The title appears in bold white capital letters at the bottom, while the authors' names are prominently displayed at the top in black and red text. A red badge on the cover indicates '1st Time in Print.'
The Texas Murders by James Patterson
Book cover of 'The Heist: An Isaac Bell Adventure' by Clive Cussler and Jack Du Brul. The cover features an action-packed scene with a vintage seaplane flying low over the water, with an explosion and flames erupting from a boat in the background. The sky is a mix of orange and dark clouds, adding to the dramatic intensity. The title is displayed in bold white capital letters, with the authors' names positioned at the top and bottom.
The Heist by Jack du Brul
Book cover of 'Wrong Place Wrong Time' by Gillian McAllister. The cover has an eerie, time-warp effect with an orange-tinted background featuring the blurred image of a clock face and a distorted view of a house with a window. The title appears in large, white handwritten-style letters, with the author's name below in a smaller font. A 'Reese’s Book Club' badge is displayed on the cover, indicating it as a featured selection.
Wrong Place Wrong Time by Gillian McAllister
Book cover of 'B is for Bonnet' by Shelley Shepard Gray. The cover features a young Amish woman in a traditional purple dress and black bonnet, standing in a colorful flower garden. Behind her is a bright red barn with white trim, surrounded by trees with autumn foliage. The sky is a clear blue. The title is in elegant white and yellow script, with the author's name in bold white text at the top.
B is for Bonnet by Shelley Shepard Gray
Book cover of 'A Truth Revealed' by Tracie Peterson. The cover features a young woman with auburn hair styled in an elegant updo, wearing a vintage green and white dress with lace details. She gazes thoughtfully into the distance. In the background, there is a small-town street with old-fashioned buildings under a soft blue sky. The title is in elegant white and gold lettering, with the author's name displayed prominently at the top.
A Truth Revealed by Tracie Peterson
Book cover of 'A is for Amish' by Shelley Shepard Gray. The cover features a serene rural landscape with rolling green fields, a red barn, and a bright blue sky. In the foreground, a young Amish woman stands with her back to the viewer, wearing a traditional blue dress, a brown vest, and a white prayer cap. She carries a basket filled with flowers. The title is written in elegant, cursive script, and the author's name appears at the top in bold, capitalized letters.
A is for Amish by Shelley Shepard Gray
Book cover of 'Shattering Dawn' by Jayne Ann Krentz. The cover features a dramatic sunset or sunrise over a rocky shoreline, with waves gently crashing against the coast. A lone figure walks along the beach, silhouetted against the golden and purple hues of the sky. Cracks resembling shattered glass overlay the image, adding an air of suspense. The title is written in bold, golden letters, while the author's name appears in large, elegant text at the top.
Shattering Dawn by Jayne Ann Krentz
Book cover of 'Never Say Never' by Danielle Steel. The cover features an open window with an ornate wrought-iron railing, overlooking a lush countryside landscape with a charming house in the distance. The sky is bright blue with soft clouds. The title is written in elegant blue script, centered in the sky, while the author's name appears in bold red capital letters at the top. The overall design gives a serene and inviting feel.
Never Say Never by Danielle Steel
Book cover of 'Holmes Is Missing' by James Patterson and Brian Sitts. The cover has a bold red background featuring the silhouette of a woman with a city skyline in the distance, and inside the silhouette, a shadowy figure walks toward the viewer. The title is in large, bright yellow capital letters at the top, while the authors' names are in white and yellow text at the bottom. A subtitle in white reads 'A Holmes, Margaret & Poe Mystery,' indicating the book's theme and genre.
Holmes is Missing by James Patterson
Book cover of 'The Big Empty' by Robert Crais. The cover features a striking gradient background transitioning from deep orange at the top to dark black at the bottom. A nighttime highway scene with streaking car lights winds through the lower portion, evoking motion and mystery. The title is displayed in bold white and yellow capital letters, while the author's name appears prominently in large black text at the top. A small note indicates that this is 'An Elvis Cole and Joe Pike Novel.'
The Big Empty by Robert Crais
Book cover of 'Knowing You' by Tracie Peterson. The cover features a close-up of a young woman with dark hair, deep blue-green eyes, and a solemn expression. The background is a soft purple-hued landscape with a historic wooden structure, possibly a gazebo or pavilion, adding a nostalgic feel. The title, 'Knowing You,' is elegantly written in cursive at the bottom, while the author's name is prominently displayed at the top in white capital letters. A small banner in the middle indicates that this book is part of the 'Pictures of the Heart' series.
Knowing You by Tracie Peterson
Book cover of 'Finding Us' by Tracie Peterson. The cover features a young woman with striking green eyes and auburn hair styled in an elegant updo, gazing toward the viewer. The background is a soft, warm-toned blend of a historic town and mountainous landscape, evoking a nostalgic and vintage atmosphere. The title, 'Finding Us,' is written in graceful cursive at the bottom, while the author's name is displayed at the top in bold white letters. A small banner in the middle signifies that this book is part of the 'Pictures of the Heart' series.
Finding Us by Tracie Peterson
Book cover of 'Remember Me' by Tracie Peterson. The cover features a young woman with striking blue eyes and wavy brown hair, gazing intently at the viewer. The background is a soft, greenish hue with an overlay of a historic cityscape, giving it a vintage and nostalgic feel. The title, 'Remember Me,' is elegantly scripted in white cursive at the bottom, while the author's name is prominently displayed at the top in bold white letters. A small banner in the middle indicates that this book is part of the 'Pictures of the Heart' series.
Remember Me by Tracie Peterson
Book cover of 'Where the Creek Bends' by Linda Lael Miller. The cover features a woman standing in a shimmering creek, partially submerged in water, with her white dress flowing around her. The scene has an ethereal, dreamlike quality with warm glowing orbs of light scattered throughout. The title, 'Where the Creek Bends,' is displayed in bold yellow letters, while the author's name is in white at the top, emphasizing her status as a New York Times bestselling author.
Where the Creek Bends by Linda Lael Miller
Book cover of 'First Frost' by Craig Johnson. The cover features a rugged, snow-covered landscape in blue tones. In the foreground, a man wearing a cowboy hat and coat stands in the icy terrain, evoking a sense of mystery and solitude. The title 'First Frost' is prominently displayed in large, bold white letters, while the author's name appears in striking red at the top. A Netflix sticker indicates the book’s connection to the popular Longmire series.
First Frost by Craig Johnson
The cover of 'The Survivor' by Iris Johansen features the silhouette of a strong, armed figure standing against a glowing, golden-hued backdrop, creating a sense of intensity and action. The surrounding frame is filled with dense, vibrant green jungle foliage, enhancing the adventurous and suspenseful tone. The author's name, 'Iris Johansen,' appears in large white and yellow letters at the top, while the title, 'The Survivor,' is displayed in bold, white capital letters at the bottom. A small subtitle indicates that this is 'An Eve Duncan Novel,' linking it to the popular thriller series.
The Survivor by Iris Johansen
The cover of 'Midnight Creed' by Alex Kava depicts a solitary figure walking down a dark rural road at night, accompanied by a small dog. The sky above is illuminated with a breathtaking display of stars, hinting at a mysterious or suspenseful atmosphere. The title, 'Midnight Creed,' is prominently displayed in bold, green capital letters, while the author's name, 'Alex Kava,' appears in large white text at the top. A quote in smaller white text is positioned near the bottom, adding intrigue to the design. The scene conveys an eerie, suspenseful tone, fitting for a thriller or mystery novel.
Midnight Creed by Alex Kava
The cover of 'Desolation Code' by Clive Cussler and Graham Brown features an action-packed scene with a large white truck veering off the road as an explosion engulfs a vehicle behind it. Flames and smoke billow into the sky, creating a dramatic contrast against the green and blue hues of the background. The title, 'Desolation Code,' is displayed in bold yellow and green capital letters, with 'Clive Cussler' prominently featured at the top in large white text. The subtitle, 'A Novel from The NUMA Files,' is placed below the title. The scene conveys intense suspense and adventure, characteristic of Cussler's novels.
Desolation Code by Clive Cussler
A placeholder book cover for 'The Blue Hour' by Paula Hawkins. The background consists of a geometric pattern in various shades of blue. The title, 'The Blue Hour,' is displayed in large white and blue capital letters, while the author's name, 'Paula Hawkins,' is positioned above it in white and blue text. At the top of the cover, a white banner contains the words 'Cover to be revealed' in black text, indicating that this is a temporary cover design.
The Blue Hour by Paula Hawkins
The cover of 'A Court of Thorns and Roses' by Sarah J. Maas features a dark gray background with intricate black thorny vines swirling across the design. The title is displayed in bold, red capital letters, with 'A Court of' positioned at the top and 'Thorns and Roses' centered in the middle. The author's name, 'Sarah J. Maas,' is written in white at the bottom, with a note indicating she is a New York Times bestselling author. The design conveys a mysterious and fantasy-inspired aesthetic.
A Court of Thorns and Roses by Sarah J. Maas
The cover of Now or Never, a Stephanie Plum novel by Janet Evanovich, features a bold, neon-yellow background with large, capitalized blue and pink text for the title. The words "Now or Never" are prominently displayed in deep blue, with a small, lit bomb icon replacing the "O" in "Now." The author's name appears at the top in large blue letters, while "A Stephanie Plum Novel" is written in smaller pink text beneath it. The tagline "Thirty-One on the Run" is positioned at the bottom. The design is vibrant and energetic, reflecting the book’s adventurous tone.
Now or Never by Janet Evanovich
The cover of Variation by Rebecca Yarros features an ethereal underwater scene with soft, peach-colored flowers and two gracefully swimming blue fish. The background is a deep teal, creating a serene and dreamlike atmosphere. The title, "Variation," appears in large, bold, cream-colored letters, with the author's name below in a similar style. A subtle subtitle, "A Novel," is placed between the title and author's name. The overall design evokes a sense of tranquility and mystery.
Variation by Rebecca Yarros
The cover of 'Trial by Fire' by Danielle Steel features a stunning cityscape at sunset, with the San Francisco Bay Bridge prominently displayed in the foreground. The sky is painted in warm hues of orange and gold, casting a glow over the city skyline in the background. The bridge’s lights illuminate the structure, creating a striking contrast against the twilight sky. The title, 'Trial by Fire,' is displayed in bold white serif font, while the author's name, 'Danielle Steel,' appears in large, capitalized red-orange letters at the top.
Trial by Fire by Danielle Steel
The cover of 'The Mirror' by Nora Roberts features an ornate, golden-framed mirror as the central element. The mirror reflects a dark, mysterious background, evoking an air of intrigue. Surrounding the mirror, deep red and pink flowers bloom, contrasting beautifully with the dark green background. The title, 'The Mirror,' appears in elegant white script, while 'Nora Roberts' is displayed in large, golden serif font at the top. Below the title, a subtitle reads 'The Lost Bride Trilogy, Book 2,' indicating its place in the series.
The Mirror by Nora Roberts
The cover of 'The House of Cross' by James Patterson features a dark background with large, bold text. The title, 'The House of Cross,' is displayed in gradient blue and orange capital letters, resembling a reflection over water. Above it, 'An Alex Cross Thriller' appears in smaller orange text. The author's name, 'James Patterson,' is prominently placed at the top in large blue letters. At the bottom of the cover, a small silhouette of a person stands against the reflective surface, adding a sense of mystery and intrigue.
The House of Cross by James Patterson
The cover of One Big Happy Family by Susan Mallery features a festive holiday scene against a light teal background with white snowflakes falling. A red car is illustrated in the lower half of the cover, carrying a decorated Christmas tree tied to its roof. Around the car, colorful holiday elements such as a wrapped gift, a candy cane, and an ornament are scattered. The title is written in bold red text at the top, with the author's name in matching red letters at the bottom. The overall design conveys a cheerful and heartwarming holiday atmosphere.
One Big Happy Family by Susan Mallery
The cover of Santa’s Secret by Fern Michaels features a festive winter scene with a close-up of a decorated Christmas tree on the left side. Hanging from one of the branches is a white, round ornament with a golden reindeer flying over a snowy landscape inside it, tied with a gold ribbon. The background is a soft-focus blur of glowing holiday lights in shades of green and pink. The title, Santa’s Secret, is displayed in bold red letters at the bottom, while the author's name appears in elegant white and gold lettering at the top. The overall design exudes warmth and holiday magic.
Santa's Secret by Fern Michaels
The cover of To Die For by David Baldacci features a high-speed, action-packed cityscape with blurred motion lines of bright blue and white lights streaking through tall skyscrapers, creating a sense of urgency and movement. The title, To Die For, is displayed in bold, metallic white and gray letters in the center, giving a sharp, dramatic effect. The author's name, David Baldacci, appears in large red text at the top, standing out against the dark, stormy sky. Below the title, the tagline A 6:20 Man Thriller is written in smaller red text. The overall design conveys an intense and thrilling atmosphere.
To Die For by David Baldacci
The cover of The Grey Wolf by Louise Penny features a striking illustration of two white wolves with piercing yellow eyes, positioned on either side of the cover, partially emerging from the edges. The background is a deep blue night sky with stylized, abstract mountain peaks and tree silhouettes in varying shades of blue. The title, The Grey Wolf, is displayed in large, bold yellow and white text, with "Grey Wolf" standing out prominently in the center. The author's name, Louise Penny, appears at the top in large white capital letters. The overall design conveys an air of mystery and intrigue, with a wilderness theme.
The Grey Wolf by Louise Penny
The cover of The Waiting by Michael Connelly features a dramatic scene of a lone figure standing in the ocean, facing the horizon. The background showcases a vibrant sunset with deep orange, red, and yellow hues blending into the darkening blue sky. The ocean reflects the warm colors of the sky, creating a sense of solitude and anticipation. The title, The Waiting, is displayed in bold white capital letters at the bottom, while the author's name, Michael Connelly, appears at the top in large yellow text. Below the author's name, the tagline A Ballard and Bosch Novel is written in smaller white letters. The overall design conveys a sense of mystery and suspense.
The Waiting by Michael Connelly
The cover of The Queen of Poisons by Robert Thorogood features a playful yet mysterious design. A black coffee mug labeled "World's Best Mayor" is tipped over at the top, spilling a large, vibrant green liquid across the cover. The title, The Queen of Poisons, is displayed in bold black letters over the green spill, with a small skull icon replacing the dot in the letter "I" of "Poisons." A red circular badge in the top right corner reads, "A Marlow Murder Club Mystery." The author's name, Robert Thorogood, appears in black capital letters at the bottom. The cover's minimalistic style and bold colors create a sense of intrigue with a touch of dark humor.
The Queen of Poisons by Robert Thorogood
The cover of The Mistletoe Mystery by Nita Prose has a classic and elegant design with a deep green background framed by a thin white border. The title, The Mistletoe Mystery, is displayed in black serif font, with small sprigs of mistletoe decorating the top. Below, the subtitle A Maid Novella appears in smaller gold text. In the center, an illustration of a hand holding a small red book is surrounded by a festive wreath, adding a touch of intrigue. The author's name, Nita Prose, is displayed in large gold letters near the bottom. The overall design conveys a refined and festive holiday mystery theme.
The Mistletoe Mystery by Nita Prose
The cover of In Too Deep, a Reacher novel by Lee Child and Andrew Child, features a dramatic nighttime scene. A cabin in the middle of a dark forest is engulfed in bright orange flames, with thick black smoke billowing into the sky. The background has an eerie blue and purple gradient, enhancing the sense of danger and mystery. The title, In Too Deep, is displayed in bold, gradient blue letters at the bottom, while the authors' names, Lee Child and Andrew Child, appear in large white text at the top. Below their names, "A Reacher Novel" is written in smaller orange letters. The cover conveys an intense and suspenseful atmosphere, fitting for a thriller.
In Too Deep by Lee Child
The cover of Angels of the Pacific by Elise Hooper features a historical wartime scene. In the foreground, a woman in a gray uniform stands on a sandy beach, saluting as she looks toward the sky. In the background, a lush tropical island is visible, with palm trees lining the shore and a cloudy blue sky above. Several World War II-era planes fly overhead, evoking a sense of military presence. The title, Angels of the Pacific, is displayed in bold blue letters in the center, with the subtitle A Novel of World War II written below in smaller font. The author’s name, Elise Hooper, appears at the bottom in white text. The overall design conveys themes of resilience, war, and history.
Angels of the Pacific by Elise Hooper
The cover of When We Meet Again by Kristin Harmel features a close-up portrait of a young woman with fair skin and dark brown, vintage-styled waves in her hair. She is wearing a red blouse with a slight sheen, and her face is turned downward with a soft, thoughtful expression. The background is a muted, pastel blue sky with wispy clouds. The title, When We Meet Again, is placed in elegant white serif text across the middle of the image, overlaying the woman’s face. Below, the author's name, Kristin Harmel, appears in smaller golden-yellow text. The design evokes a nostalgic, historical feel, suggesting themes of love, loss, and reunion.
When We Meet Again by Kristin Harmel

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