Clayton Stumper might be twenty-six years old, but he dresses like your grandpa and drinks sherry like your aunt. Abandoned at birth on the steps of the Fellowship of Puzzlemakers, he was raised by a group of eccentric enigmatologists and now finds himself among the last survivors of a fading institution. When the esteemed crossword compiler and main maternal presence in Clayton’s life, Pippa Allsbrook, passes away, she bestows her final puzzle on him: a promise to reveal the mystery of his parentage and prepare him for life beyond the walls of the commune.
Kiela has always had trouble dealing with people. Thankfully, as a librarian at the Great Library of Alyssium, she and her assistant, Caz—a magically sentient spider plant—have spent the last decade sequestered among the empire’s most precious spellbooks, preserving their magic for the city’s elite. When a revolution begins and the library goes up in flames, she and Caz flee with all the spellbooks they can carry and head to a remote island Kiela never thought she’d see again: her childhood home.
From Mo’orea, a tiny volcanic island off the coast of Tahiti, a French biologist obsessed with saving Polynesia’s imperiled coral reefs sends her teenage daughter to live with her ex-husband in New York. By the time fifteen-year-old Pia arrives at her father Stephen’s luxury apartment in Manhattan and meets his new, younger wife, Kate, she has been shuttled between her parents’ disparate lives—her father’s consuming work as a surgeon at an overwhelmed New York hospital, her mother’s relentless drive against a ticking ecological clock—for most of her life.
When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years. As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her.
They were just friends. Best friends. Allies. They spent entire summers sitting on Shiloh’s porch steps, dreaming about the future. They were both going to get out of north Omaha—Shiloh would go to college and become an actress, and Cary would join the Navy. They promised each other that their friendship would never change. Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed. When she’s invited to an old friend’s wedding, all Shiloh can think about is whether Cary will be there—and whether she hopes he will be.
Allegra Dixon has never felt loved or wanted. Rejected by her mother - a cold, beautiful socialite – and her absentee military father, Allegra’s only escape from her lonely existence is through books and her own rich fantasy world. When she finds love with childhood sweetheart Shepherd Williams, her heart feels full for the first time. But as Shep follows in her father’s footsteps, pulled into the dark world of military conflict, Allegra fears she will end up alone for a second time.
Evie Sage has never been happier to be the assistant to The Villain. Who would have thought that working for an outrageously handsome (shhh, bad for his brand) evil overlord would be so rewarding? Still, the business of being bad is demanding, the forces of good are annoyingly persistent, and said forbidding boss is somewhat…er, out-of-evil-office. But Rennedawn is in grave trouble, and all signs point to catastrophe. Something peculiar is happening with the kingdom’s magic, and it’s made The Villain’s manor vulnerable to their enemies.
In 1581, Emilia Bassano—like most young women of her day—is allowed no voice of her own. But as the Lord Chamberlain’s mistress, she has access to all theater in England, and finds a way to bring her work to the stage secretly. And yet, creating some of the world’s greatest dramatic masterpieces comes at great cost: by paying a man for the use of his name, she will write her own out of history. In the present, playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano.
What if you had to work with your archenemy? Everything was going according to plan until Beau Sutton and his brother Hank bought my family’s pizzeria and took away my dream. That’s okay because I have a plan. Be a surrogate. Buy back my family’s pizzeria or start a new one. Don’t fall for grumpy Beau. This plan sounded simple. None of these plans are working out like I thought they would. Holly Springs is the worst and best thing that could have happened to me. For the first time in my life, I’m trying to put myself first, starting over.